​TEARDROPS OF TIME: ​Buddhist Aesthetics in the Poetry of Angkarn Kallayanapong (SUNY Press, 2020)

Focusing on one of the most significant poets of the 
twentieth century, Angkarn Kallayanapong (1926–2012), this book makes a unique contribution to understandings of non-Western literary modernity. Arnika Fuhrmann investigates how the Thai poet adapts Buddhist understandings of time to create a modern Asian aesthetic imaginary. While Angkarn’s poetry conjures the image of an early modern Thai cosmopolitanism, it also pioneers a poetics reflective of present-day globalization. The result is an experiment in Buddhist cosmopolitan aesthetic modernity. As Angkarn’s work aligns itself with contemporaneous global trends in poetry, the book reads it alongside the work of Paul Celan and Allen Ginsberg.

“Arnika Fuhrmann’s ambitious project to investigate all possible aspects of Angkarn’s oeuvre, ranging from Buddhist temporal ontologies to transnational trends in modern poetics, is laudable, as it paves a new path for Thai literary studies beyond national boundaries and nationalist ideology. By contextualizing Angkarn’s works within the local literary culture under the military regimes in Thailand as well as within global literary movements and global cultural production, Fuhrmann is able to offer a better understanding of Angkarn’s innovative poetics and identify the literary and political impacts of his works.” — Chusak Pattarakulvanit, Thammasat University

​Press
"Angkarn Kallayanapong Translations," The Allen Ginsberg Project," February 15, 2021. 

Kate Blackwood, "Book: Thai Poet Uses Buddhist Principles to 'Re-enchant' the Modern World," College of Arts and Science, February 4, 2021. 
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Image: Fashion creator MADEOW

"Syndromes and a Century: Contemporary Queer Thai  Cinema" in Oxford Handbook of Queer Cinema, eds. Ronald Gregg and Amy Villarejo (forthcoming).
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Still from The Island Funeral (Pimpaka Towira, 2015)

"The Story of Untold Displacements: Buddhist-Muslim Intimacies and Visions of Ethnic Coexistence in a Thai Queer-Feminist Filmic Archive" Camera Obscura, 2019.

Still from AB-Normal Beauty (Oxide Pang, 2004)

"Ab-normal Beauty: Horror, Homoeroticism, and Agency  in Southeast and East Asian Films of Possession" ​Diogenes (French, 2018; English, forthcoming).